After business school, Philippe started in the business more than twenty-three years ago by negotiating partnerships (sponsors and media) for theatres and for different entertainment production companies.

 

After partnering with a producer, he decided to create in 2004 his own entertainment company called CITYPROD. Its influence is international and has produced the shows in particular "Acrobatic Nutcracker" by the National Circus of China, "Fire of Anatolia", "Georgian Legend", Cuba National Ballet, "Tribute to Miriam Makeba", "Umoja", Jimmy Cliff, Soweto Gospel Choir, "Cirkafrika", "Magic Flute" South African version, "Shadowland", "Tristan & Isolde The Symphonic Celtic Ballet", "Sarafina"...

 

In 2017 Philippe realized his dream by resuscitating the magic of "Les Misérables" in a French version concert with a triumphant French tour that exports around the world.

 

In 2019 he ensured the executive production of the French musical "Siddhartha l’Opéra Rock", with 42 performances at Le Palais des Sports de Paris in France, and in 2020 Philippe produced the south African creation "Soweto Gumboots", first show united under the RHYTHMS license, whose world premières took place in February at the Soweto Theatre.

 

In November 2021 he produces in Argentina the creation "Gauchos Legend" which also joined the RHYTHMS license.

Born into a family of artists, Magda was introduced to the disciplines of the performing and circus arts at an early age.

 

For twenty years, she produced shows all over the world for which she is directing, ensures the

choreographies as well as the costumes and sets designing. At the same time, she also directed many shows for French and international productions.

 

Five years ago, she took the artistic direction of CITYPROD and directed in particular the French version concert of the world phenomenon show "Les Misérables".

 

In 2019 Magda ensured the directing, choreographies and scenography of the French musical "Siddhartha l’Opéra Rock".

 

Beginning 2020, she directed and choreographed the new show "Othello" and in February she is director, scenographer and costumes designer of the new south African show "Soweto Gumboots" that she also created.

 

Passionate about Argentinian culture, Magda has lived for a long time in her country of heart and has also practiced for many years the arts of dance and Argentine character disciplines within the first pioneer companies of Gauchos performances around the world.

 

Seduced by the richness of this infinite culture, Magda’s dream is to be able to make the international public discover the anthology of dances of Argentinian characters so powerful with high level Argentinian dancers.

 

2021 will allow her dream to come true with her latest creation "Gauchos Legend" whose world premières took place at the theatre Gran Ituzaingo in Buenos Aires, Argentina.t

Daniel is an Argentinian dancer and choreographer trained from an early age at the famous Buenos Aires Opera House, the Teatro Colon, where he was taught by the great Maestro Tupin.

 

Daniel later joined the Malon Ballet as principal dancer under the direction of the Argentinian dance Maestro Antonio Ferreyra.

 

Dancer specializing in Argentinian character dances, Daniel has performed all over the world in the greatest Argentinian dance shows and notably in "Una noche en Buenos Aires" with whom he has toured the world.

Leandro Nicolás was born in 1993 in San Martin near Buenos Aires in Argentina. He began to dance at the age of 10 and for ten years he was a dancer in the troupe of the stables of San Martin.

 

He has been choreographer assistant of several national and international productions including  Feminas, Compańia del Pampa, Retumba Malambo, Malambo Company, Ancestral, Latin Rumba... and has also been part of the companies Malevo, Malambo, El Choque Urbano.

 

He also trained in other fields such as body percussion, Salsa Caleña and urban rhythms.

He has also participated in many television shows such as "Tu si que vales" (Italy), "Domenica show'' (Italy), "Dancing for a dream" (Argentina), "La peña de morfi'' (Argentina).

Oliver’s passion for lighting, his creativity, integrity, and energetic work ethic has become well known in the South African live events industry.

 

After achieving a diploma in Entertainment Technology in 2009, Hauser has worked on over 250 productions across a wide range of genres: Television, drama, comedy, opera, musicals, avant-garde dance, contemporary music, conceptual performance and corporate events.

He has designed, co-ordinated and managed lighting for productions at prestigious venues in Barcelona, Paris, Zurich, Berlin, Beijing, Lagos, the United States and in other cities internationally.

 

Some of his career credits include : South African Music Awards, Avenue Q South Africa, Rock of Ages South Africa, Jonathan Roxmouth’s The Musicals in Concert, High School Musical, The Mystery of Irma Vep, Eve Ensler’s Emotional Creature, Molière’s Tartuffe, The Crucible, Reza De Vet’s African Gothic, African Footprint, Gilbert & Sullivan’s Pirates of Penzance, Athol Fugard’s Boesman & Lena, The Coloured Museum, Percy Mtwa’s Bopha!, Beautiful Creatures, One More Night (A Phil Collins Tribute), Marat Sade, Gregory Maqoma’s “Cion”, Soweto Gumboots…

After learning percussion at the age of 11 in school and then alongside Gérard Goron, drummer for the famous french group Tri Yann, Pascal was introduced to the sound industry and became the sound engineer for Tri Yann in 1998.

 

With passion, he co-directed and mixed numerous albums at the Marzelle studio, the Tri Yann's label, with the participation of talented artists such as Hugues Aufray, Gilles Servat, Nolwenn Leroy, Michael Jones, Maurane, Soldat Louis, L'Orchestre National des Pays de la Loire, Carlos Nuñez, Simon Nicol, Jeremy Spencer, Anggun...

 

At the same time, he rubs shoulders with numerous musical productions, ranging from the Symphonic Rock Opera to the Celtic Symphonic Ballet, and numerous shows such as at Le Puy du Fou or with Faerya Concept.

 

He carries out the Sound Design to give birth to productions both in the field of Show Live and for Show Control in more or less unusual places where adaptation is rigorous. He passes easily from a Stade de France to a prehistoric cave.

Pascal puts his talent, his open-mindedness, his expert ears, his listening and adaptation skills, at the service of creations in order to sublimate them for the public.